What's New

Your first download now works right after signing up — no detour to the inbox. For any further score we ask you to confirm your email address first; if the verification mail has gone missing, the download dialog offers a one-click resend.

The documents page now shows how many score downloads you have left — and the new Usage section in Settings keeps the same count one click away. As a reminder, one download covers every part of a score, and re-downloading a score you already took stays free.

Scores scanned or exported onto pages far larger than any paper size (over about 33 inches on a side) used to fail with a bare “Processing failed”. The engine now detects those up front and tells you what happened: the pages are too large for the current detection engine, and re-scanning or re-exporting the PDF at a standard page size usually fixes it. Invalid PDFs and documents over the page limit now get specific messages too.

The free trial now includes five downloads instead of two. The trial is meant to answer one question — does the detection handle the scores you actually use? — and two scores turned out to be too few to answer it properly. As before, a score only counts the first time you download from it, re-downloads stay free, and uploading, processing and editing are unmetered.

Trial accounts could only upload scores of up to 10 pages, which meant a real orchestral score was refused before you got to see whether the detection handled it. The limit is now 60 pages, so you can put an actual full score through the pipeline and judge the result on your own material rather than on a short excerpt. Downloads are still what counts against the trial, so nothing else changes.

The Plans page now explains how the limits actually work rather than just listing them: quota is spent on downloads and not uploads, a score only ever counts once no matter how many times you re-download it, and the weekly allowance rolls over a seven-day window instead of resetting on the first of the month. Billing questions are answered on the page too, covering cancelling, refunds, switching plans and who processes payment.

Generated parts no longer carry measure-number badges in the left margin. Barline detection wasn't reliable enough across real scores, and a wrong measure number is worse than none. We're rebuilding it against a proper test set and will bring it back as an option you can turn on.

The Help page now collects our task guides and how-to articles in one place — splitting a score PDF, extracting orchestra or instrument parts, and more — so you can find the right walkthrough without hunting.

Parts are no longer locked to a single instrument segment. You can now assemble a part from multiple segments across the score - useful when an instrument shares a staff or appears intermittently - and reorder how those segments stack in the final PDF.

• Add new segments to an existing part by arming it from the sidebar.
• Segment boundaries extend into the side gutters for cleaner edits.
• Unsaved changes are surfaced in the editor so you don't lose work.

Title, composer, edition, and copyright are now editable after upload, displayed in a library-card layout on the score page. Fix typos or fill in details you didn't have at upload time.

Signed-in users now land on a page that combines upload and your recent scores, so you can pick up where you left off without an extra click.